to be like this

write me an essay—
untimed, please.

divulge all the details
of last night’s crash.

our friend is sobbing
on the balcony again
because he finally found
a Kleenex to throw her way.

milk splashes, over
a paper cup’s edge.

you press on the timer,
look to your left.

they have occupied the corner,
wondering whether to call
the cops if she already
gave one bold statement.

it’s been so long
since you called back.

I never thought that
I would see you, frayed.

Cat No. 130 of the 500 Cats Project

I am pleased to announce the release of my first novel, sometime in the next few months. I will keep you updated. To celebrate, I’ve decided to challenge myself to write a poem for each of the first 250 people who purchase my book. The poem would be based on a subject of your choosing, handwritten and mailed to you. I’m very excited, as the project has been very dear to me. In the meantime, I will continue to work on short stories. The 500 Cats Project shall proceed.

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on wordlessness

this is a warning.
exclamation point on the
thinnest paper towel.
the coffee, hot and unkind
to my doubts, while tea
continues to sit and fade.

this is beyond me.
the simplest explanations
are sometimes correct,
even when you cannot believe
that they’re worth far more
than discounted groceries.

this is daunting.
streetlights blast red when
dissidents cross and pamphlets
written out of sheer insomnia
shiver on the asphalt, wordless.

this is opacity.
closed doors grow more heavy
than your palms can bear
to push, and tangled rules choke
on the feeble breath of yearning.

Cat No. 129 of the 500 Cats Project

simplicity

the ice melts unevenly.

frost on the edge of a colorless plane, and
a frayed sense of time.

$0.99 cup of spicy mayo
makes my day, makes me smile.

you are the macadamia,
courting the chocolate
as if it needs a guide.

pigeons want what I cannot afford,
bok choy on rice.

every little sweet counts
and cries with the pop
of my salmon knuckles.

I blush as cherry trees fall.

you and me
down Hackberry street.

forgetting that the north
is soft and tucked aside.

Cat No. 128 of the 500 Cats Project

Open for Submissions at Curt Hermit

Join me on this gleeful adventure, via the Submissions page.

If creative nonfiction, short stories, and poetry capture your interest, give Curt Hermit a try. We hope to provide a continual stream of satisfying material. Of course, if you create, we’ll eagerly await your work. Send all submissions to editor@curthermit.com. All submissions will receive a response within 4 months.

opening act

I walk a tightrope that rivals a spider web.
breathe me in, see me out.
the raindrops sting when they want to,
needles into fleshy thumbs.

love these hands which visit peace,
for they are dry and chapped
as my unquiet lips
that relay secrets, better left
unspun and elongated.

judge me harshly,
if you have the time.

take me through the scarlet
and all the confetti, pink and flat
across dappled paths
downtrodden with whispers
and flooded with sighs of white.

I yell the lyrics authored by youth.
see me past all you’ve known.
the water rushes as the sky defies,
orchids filling modest homes.

Cat No. 127 of the 500 Cats Project

March Publications

Hello, all! I hope you are well. I thought I might share this month’s publications, for anyone interested in reading them.

Ghost City Review published “Unstrung Pearls” at the beginning of March. Find it here.

Soft Cartel offers a fantastic assortment of short stories, poetry, and artwork. “Atún” is a prose piece about a cat, childhood, loss, and communal complacency. Read it here.

Maudlin House features another short story, “Unchanged Melodies.” I wrote this piece a few years ago. It is somewhat autobiographical, and is based on my childhood experiences living overseas on a military base. Much of the story is drawn from my memories of a classmate with autism who was often ridiculed, feared, and generally misunderstood by those around him. Check it out here.

Thank you so much for your readership and support. Gradually, I’ll be concentrating on more short fiction, with a focus on color and emotional acuity.

Have a good day,

Kristine

fears

coming from ambivalence,
looking right to left, and then
left to right as if reading some
language I’ve become too
acquainted with.

the day becomes gray
and the ground feels
sharp, harsh enough
to awaken several snails,
tenacious in their nap time
and steady in solemn thought.

the stop signs blend into
some tangerine sunset, six
sides fallen onto the hot surface
as I look over my shoulder
to contest your fear.

Cat No. 126 of the 500 Cats Project