March Publications

Hello, all! I hope you are well. I thought I might share this month’s publications, for anyone interested in reading them.

Ghost City Review published “Unstrung Pearls” at the beginning of March. Find it here.

Soft Cartel offers a fantastic assortment of short stories, poetry, and artwork. “Atún” is a prose piece about a cat, childhood, loss, and communal complacency. Read it here.

Maudlin House features another short story, “Unchanged Melodies.” I wrote this piece a few years ago. It is somewhat autobiographical, and is based on my childhood experiences living overseas on a military base. Much of the story is drawn from my memories of a classmate with autism who was often ridiculed, feared, and generally misunderstood by those around him. Check it out here.

Thank you so much for your readership and support. Gradually, I’ll be concentrating on more short fiction, with a focus on color and emotional acuity.

Have a good day,

Kristine

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fears

coming from ambivalence,
looking right to left, and then
left to right as if reading some
language I’ve become too
acquainted with.

the day becomes gray
and the ground feels
sharp, harsh enough
to awaken several snails,
tenacious in their nap time
and steady in solemn thought.

the stop signs blend into
some tangerine sunset, six
sides fallen onto the hot surface
as I look over my shoulder
to contest your fear.

Cat No. 126 of the 500 Cats Project

query

nothing short of questionable.

wrapped in the glee felt in snowflakes’
kisses, I slowly blink and breathe
in time with a bicycle’s push through
summer unbound, summer that has thrusted
its demands onto hope that rings
against clear, but speckled glass.

the thinnest twigs are broken.

tennis balls roll into candied curbs
bright as the brick of a first home,
and tulips sit in aquamarine cups once
used to serve spry ice cream and appease
grand expectations of the younger crowd,
hurrying into endeavors sharp and unplanned.

hearing the static, pining to dream.

Cat No. 125 of the 500 Cats Project

Forever, the Little Girl

In 2015, I originally wrote a 750-word draft of a piece that is now quite dear to me. It is titled, “Forever, the Little Girl,” and after several rounds of additions and subtractions, this story has found its home in Burning House Press. Prolific poet Bola Opaleke serves as January’s editor, compiling works that illustrate faith, faithlessness, and/or divinity. Immense thanks goes to Bola for his consideration and acceptance of my work.

You can read the piece here. Thanks to BHP, I’ve grown more acquainted with experimental writers, and I’ve enjoyed encountering all sorts of life that sprout from the journal’s monthly themes. Give the journal a look, and have as good a time as the relaxing walnut photographed above.

-Kristine

ball games

lavender under the pillow
informs me that I’ve learned
a more efficient method
for sound reflection.

puddles at the end
ripple, while nimble
ants peer over the edge
of frayed leaves, dry
and bloodless, like
shells and hollow time.

I am the guest.
you are my keeper.

shadows grow thin
as clocks strike six.

Cats No. 123 and 124 of the 500 Cats Project

Why Does It Matter So?

My dearest friend is beginning to blog. Let’s give him a warm welcome!

RUMINATIONS IN F SHARP MAJOR

Tommy Cattorneyatlaw ponders; wondering why, feeling….

A rip of the heart,

a tear at the gut,

is it worth it,

as you pick the pieces up.

Maybe not, as they fall back in disarray,

swirling in the blood strewn about as it always was.

Spread about, disheveled as they always were,

a sanctimonious display in a horrid array.

Nothing changes, it just remains,

not trite, but glib, it stays the same.

Not the name and brutality omnipresent,

it’s sick, reality, & omniscient.

A vomit of blood, a resultant finding,

the truth not hiding, it never was.

A slap across the years, trying, never seeing,

not knowing the quest or even why.

How to begin, not whither, not die,

but far from within, so lost again.

A walk across, slain by inequity,

a death that haunts most painfully.

Is there no escape, no sanctuary,

or must it all gut reality?

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in the early evening

steady, I wait underneath
the frightened pecan tree
known to surrender its
grooved secrets as our
sky recalls the clamor
of blind emergencies.

wake me up, slices of
an afternoon snack
are dripping, filling
this vacancy and never
once parting to fall
onto shaken ground.

small town lake laughs
between walls of red cups
splintered, on the edge
of antique tabletops,
without a throbbing leg
to tempt bitter flies.

cooler, almost so still
like ears nearly fried
by the dawn’s alarm,
rogue, set, and ready
to accentuate longing
for minimized calm.

what shook their way
down tangled branches
floats along rivers
white and drained
in time for dinner,
modest and shared.

Cat No. 120 of the 500 Cats Project